at the Byelorussian Polytechnic School of Architecture in Minsk. After graduating in 1984,
Michael worked as a graphic designer in Minsk until moving to America in 1989.
For the past 18 years he has worked as a graphic designer as well as a freelance illustrator
for some of New York's most prominent publications such as the New York Times, New York Magazine
and others, while at the same time developing his own distinctive art style.
Michael's work explores the ambiguous realm between the recognizable and the abstract.
This approach allows for a multiplicity of readings and invites the viewer to explore the many
levels of the work to arrive at their own interpretation. His highly complex and detailed
compositions are populated by characters and objects that oscillate between being identifiable,
vaguely anthropomorphic and purely abstract. His work process usually starts with a few large-scale
gestural moves that are then layered with progressively more detailed linework and color,
During this process forms and compositions emerge in the canvas and are elaborated, resulting in
the whole that simultaneously feels whimsically improvisatory and tightly composed.
Michael applied this creative approach to a range of different media from paper and canvas to
sculpture in ceramic and wood.
Anatole Plotkin
Professor, The City College of New York School of Architecture